Search results for 'criticism'

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Antiscoial Media

  AntisocialMedia_IanAlanPaul_2017.pdf, 6,6 MiB
“Antisocial Media” is a remix/cut-up/utopian-plagiarism of Guy Debord’s 1967 “The Society of the Spectacle” that reflects on the role of the network and (anti)social media in political, economic, and everyday life. Ian Allen Paul, 2017.


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Next 5 minutes 4 reader

  n5m4_reader.pdf, 1684,1 KiB
The complete reader, including design, of the Next 5 Minutes 4 international festival of tactical media, Amsterdam, September 11 - 14, 2003.

event

ARTIVISM: The Art of Subverting Power - June 23-25, 2023, Berlin 

THE 30TH CONFERENCE OF THE DISRUPTION NETWORK LAB
KUNSTQUARTIER BETHANIEN - BERLIN & STREAMING

[ Archived streaming videos at: https://www.disruptionlab.org/artivism#video ]

How can art and activism be combined to tackle burning social issues, surveillance, unethical corporations and corrupt governments?
A programme of panels, workshops, and artistic productions curated by Tatiana Bazzichelli.

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article

How to make a point 

It has been a preoccupation of mine in imagining the supermarket as a locus for political assembly. Clearly, it has already overtaken religious assembly. In the UK the big brand Supermarkets like TESCO and SAINSBURY are principle organizers of daily life. The ritualized relationship between customer and supermarket have been carefully constructed and maintained to a degree that compares to the construction of religious faith.

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    article

    Erik Hobijn over techno-parasieten 

    Techno-parasieten zijn volgens de definitie van Hobijn 'apparaatjes die gebruikmaken van gedeeltes van onze verworvenheden, speeltjes behept met opmerkzaamheid die technische storingen tot gevolg hebben.' Technoparasiet 00020004C leeft van de lantaarnpaal. Het is een soort bloemkelk dat het regenwater opvangt en het licht van de lantaarn omzet in energie, met als doel het creëren van een potentiaal verschil. Het regenwater wordt gebru ikt om het proces te versnellen. Hiermee wordt eerst de zinklaag aangetast en op den duur ook de ijzerlaag aangevroten zodat de lantaarnpaal wordt doorgezaagd en omvalt. Een andere parariet klimt in een spiraalachtige beweging langs de lantaarnpaal omhoog. Het motortje loopt op lichtenergie, heel langzaam. Boven aangekomen slaat hij ineens het glas en lamp kapot, vermoord zo zijn voedingsbron en valt dan naar beneden.

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      person

      Zeynep Tufekci

      Zeynep Tufekci is  a fellow at the Center for Information Technology Policy at Princeton University (and a "visiting assistant professor" at the Woodrow Wilson school at Princeton University.) She is also an assistant professor at the University of North Carolina, Chapel.  For the 2012-2013 academic year, she is residing in Princeton, NJ.

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      collection

      The Concept of Tactical Media 

      Tactical Media emerged when the modest goals of media artists and media activists were transformed into a movement that challenged everyone to produce their own media in support of their own political struggles. This "new media" activism was based on the insight that the long-held distinction between the 'street' (reality) and the 'media' (representation) could no longer be upheld. On the contrary, the media had come to infuse all of society...   Read More

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      article

      When Thought Becomes Crime* 

      March 17th, 2005

      How did it come to this?

      Only a perverse authoritarian logic can explain how Critical Art Ensemble (CAE) can at one moment be creating the project "Free Range Grain" for the Risk exhibition at Schirn Kunsthalle in Frankfurt, reconfiguring it for The Interventionists exhibition at Mass MoCA in a second moment, and then suddenly have a CAE member in FBI detention.   The U.S. Justice Department has accused us of such shocking crimes as bioterrorism, health and safety violations, mail fraud, wire fraud, and even murder.   Now, as we retool "Free Range Grain" for the Risk exhibition at the Glasgow Center for Contemporary Art, the surreal farce of our legal nightmare continues unabated.

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      article

      the banality of cyberpunk, short notes on wikileaks 

      a year ago wikileaks was as known as any other hacker project on the
      chaos computer congress in berlin. its organizers which you remember
      only by surname were talking about technical and organisational
      issues, smoking a joint and gathering collaborators and co-developers.
      like often german or swedish hackers were running the backend of this
      project. they like the technocratic part where organisation and code
      goes together. here is where wikileaks has its center, and the idea of
      it was rather a channel, a protocol, or a p2p network to allow more
      transparency in information. the opposite movement against closing
      down on information which belongs to the public, and a direct result
      of a cyberpunk worldview, where an oligarchy of  a few corporations
      runs the world.

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      person

      Darko Fritz

      Darko Fritz Fritz is artist and independent curator and researcher. He was born in 1966, in Croatia, and currently he lives and works in Amsterdam, Zagreb and Korcula. He studied architecture at the University of Zagreb [1986 - 1989] and media art at Rijksakademie van Beeldende Kunsten in Amsterdam [1990 - 1992].

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