Stop The Jabiluka Uranium Mine in Kakadu 

Does the art of campaigning involve commodifying a struggle and presenting it in a package to the people through the media? What impact does the media really have? How useful is the net as an alternative medium? Does it only reach the alternative people - those who already know about the issues or is it capable of engaging with the mainstream public. Does genuine public opinion have any real impact in the current political and corporate climate?

• environment,
• campaign,
• media

Darko Fritz

Darko Fritz Fritz is artist and independent curator and researcher. He was born in 1966, in Croatia, and currently he lives and works in Amsterdam, Zagreb and Korcula. He studied architecture at the University of Zagreb [1986 - 1989] and media art at Rijksakademie van Beeldende Kunsten in Amsterdam [1990 - 1992].

• tactical media,
• migration,
• media criticism

DeeDee Halleck

DeeDee Halleck is a media activist and co-founder of Paper Tiger Television and the Deep Dish Satellite Network, the first grass roots community television network. She is Professor Emerita in the Department of Communication at the University of California at San Diego. Her filmography includes  films like Children Make Movies( 1961),  or Mural on Our Street, which was nominated for Academy Award in 1965. She has led media workshops with elementary school children, reform school youth and migrant farmers.

• tactical media,
• independent media,
• media criticism,
• prison

A Virtual World is Possible: From Tactical Media to Digital Multitudes 

I.

We start with the current strategy debates of the so-called 'anti-globalisation movement', the biggest emerging political force for decades. In Part II we will look into strategies of critical new media culture in the post-speculative phase after dotcommania. Four phases of the global movement are becoming visible, all of which have distinct political, artistic and aesthetic qualities.

• politics,
• tactical media,
• infopolitics,
• net.activism,
• net criticism

Tactical Media in Brazil - Submidialogia conference report 

The four-day conference on the campus of the Universidade Estadual de Campinas (Unicamp) brought together many key persons from the tactical media movement of Brazil and some of their counterparts in the Brasilian government.
The movement is converging from roots in free radio, free software, hardware hacking, art and social movements. It is currently focussed around a large-scale project master-minded by Claudio Prado and supported by the Ministry of Culture: ?Pontos de Cultura? (Culture Spots) which is aiming to empower up to 600 cultural projects with free software-based multimedia production and publication facilities.

• tactical media,
• Brazil

Conference Report ‘The Society of Post-Control’
 

Summary of the extended conversation on the emergence, consequences, and activist responses to the concept of "post-control"
Report of the conference 'The Society of Post-Control', organised by Eric Kluitenberg and David Garcia, tying into the opening of the exhibition As If.

• art,
• infopolitics,
• info-activism,
• culture jamming,
• meme wars,
• visual culture

Tactical Television in Italy 

Overview and manifesto of urban tv movements in Italy

• urban intervention,
• tactical television,
• telestreet

Security through InSecurity 

Increase the level of paranoia.....
bombs in the metro.....bombs in Oklahoma......
bombs in the World Trade Center.....bombs in Mururoa.....
Who are the real terrorists?

Hippy Cull 

from Underground, PO Box 3285, London, SW2 3NN, UK

1. Neo-hippyism is upon us: a bumper pack of seriously dumb tendenciesthat cripple processes of change. Some of these tendencies relate toideas, and some of them to action, they range from the 'political' tothe way people dress. They form the aesthetic, theoretical and materialdatabases people use to inform and develop what they are getting up to.This database needs reformatting.

Cybernetics & Entheogenics 

Abstract of the lecture by Peter Lamborn Wilson
For the 'Next Five Minutes" Conference, Amsterdam, january 1996

The Disappearance of Public Space on the Net 

The Internet was started in the 1970's by the U.S. Defense Departmentas a communications tool and is now being bought out by I.B.M., M.C.I.and other megaCorporations. April, 1995 marked the closing of theNational Science Foundation's part of the internet, and signaled thebeginning of the end of the publicly funded computer networkinfrastructure.

• network cultures,
• net.activism

Constructing the Digital Commons 

March 2003

Democracy can be understood in two notably distinct ways. In the institutional view democracy is understood as the interplay of institutional actors that represent 'the people' and are held accountable through the plebiscite; public votes, polls and occasionally referenda. The second view on democracy is radically different in that it sees the extent to which people can freely assemble, discuss and share ideas about vital social issues, organise themselves around these issues, and can freely voice their opinions in public fora, as a measure for just how democratic a given society is.

• public space,
• public domain,
• digital commons

Unser Feind, das Internet 

- Ethische NETZPRINZIPIEN

Impulsreferate etablieren eine engagierte RL Diskussion, die Im Netz fortgefuehrt und in Newsgroups konkretisiert wird.
Der Wunsch und die Notwendigkeit zur Entwicklung neuer Terminologien und originaerer Diskurse wurde evident. Nach den Jahren des Zitierens ist es an der Zeit und wird durch neue Lebensrealitaeten im elektronischen Netzwerk und aufgrund internationaler Erfahrungen mit der Praxis regulativer Eingriffe neue Begriffe, Strukturen und Theorien zu entwickeln. Jeder kann sich aktiv an dieser Koevolution technischer und Inhaltlicher Verbindungen beteiligen!

Dawn of the Organised Networks 

At first glance the concept of "organised networks" appears oxymoronic. In technical terms, all networks are organised. There are founders, administrators, moderators and active members who all take up roles. Think also back to the early work on cybernetics and the "second order" cybernetics of Bateson and others. Networks consist of mobile relations whose arrangement at any particular time is shaped by the "constitutive outside" of feedback or noise.[1] The order of networks is made up of a continuum of relations governed by interests, passions, affects and pragmatic necessities of different actors. The network of relations is never static, but this is not to be mistaken for some kind of perpetual fluidity. Ephemerality is not a condition to celebrate for those wishing to function as political agents.

• tactical media,
• network cultures,
• activism,
• net.activism,
• post-governmental organisation,
• info-activism

A Personal Map of the Resistance Movement in France 

For many reasons, the 80's, years of the Mitterand socialist government, were years in which grass roots movements got institutionalized and traditional activism was "out". The logic of the Republic (everybody is equal without distinction) allied with traditional individualism and clanic behaviour ("la guerre des chapelles") forbid the emergence of non dominant/non normalized subjectivities. This tradition is still alive today. The 68 generation didn't feel necessary to pass on their knowledge to younger generations. From their point of view, they created new ways to go about the world by themselves, so should the new generations. The notion of alternative and activism became stigmatized. It wasn't a very tactical in those years to position oneself in terms of an alternative. As a result, by the beginning of the 90, the most visible part of the intellectuals and the grass roots movements seams to be lobotomized.

• politics,
• campaign,
• tactical media,
• activism,
• public domain,
• civil disobedience

Vectorial Empires 

01. These are precarious times. These are eventful times. Let us note some of the symptoms of this instability. There is September 11,and the prospect of a new form of American empire that uses September11 as its pretext. There is the global stock market slide, triggered by the collapse of American tech stocks, which altered the lives of chip-makers in Korea and Coltan miners in the Congo. These are instances of what I call weird global media events. They are events because they are singular. They are media events because they happen in a vectoral space of communication. They are global media events because they call a world into being. They are weird global media events because they defy explanation. They subsume every explanation as mere ripples and eddies in their wake.

• politics,
• tactical media,
• infopolitics